Monte Cimone |
Panarotta, 2002 |
Fravort, 2347 |
Vigolana |
Oscivart, 2284 |
Gronlait, 2381 |
Hoabonti W ridge |
Cima Brenta, 3150 |
Vioz, 3645 |
Dosso di Costalta, 1955 |
Cevedale, 3769 |
Ortles, 3905 |
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Should the answer be difficult to obtain from the 500 pixels, it could be achieved from here: picasaweb.google.com/albertopedrotti/Misc2013_1#5856055129068976338
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Kommentare
Gruss Walter
There is no agreement, as far as I know, on the roots of the name Hoabonti, but for example Fravort should come from Frau-Wart and Oscivart from Haus-Wart. The main corruption that German has undergone in this area has been the vowel "a" being closed almost regularly into an "o".
Names are often hushed echos of times gone. Here we have situation of cultural changes on an historic language border. Medivial mining efforts pushed by Austrian and German nobles led to field names (Flurnamen) not sounding Italian or German to our modern day ears due to their transformation (when I do not know ...) into more Romanic names.
In this very interesting context three intersting links:
http://www.sagen.at/doku/bergbau/Bergreviere_Trient.html
http://orawww.uibk.ac.at/apex/uprod/f?p=LLW:4:0::::P4_ID:1474
http://www.fluchtwege.eu/geschichte-9.html
und ein Zitat (R. Musil): "Sie hieß Lene Maria Lenzi; das klang wie Selvot und Gronleit oder Malga Mendana, nach Amethystkristallen und Blumen, er aber nannte sie noch lieber Grigia, mit langem I und verhauchtem Dscha, nach der Kuh, die sie hatte, und Grigia, die Graue rief."
Solltet Ihr gute Literatur zur Geschichte der Gegend kennen oder mir mit weiteren Zitaten weiterhelfen können, würde mich das sehr freuen.
Here, not far from my table, lies the last volume produced by the Kulturinstitut, namely, "Musil en Bersntol" (June 2012), published to celebrate the 70 years since the death of Robert Musil.
If you want to see all-year-round amateur photos from the valley, here is my growing collection: www.panoramio.com/user/5466256/tags/Bersntol
If you look for serious photos, there are several illustrated books devoted to the valley. Its greatest photographic interpreter has been, out of question, Flavio Faganello (1933-2005).
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